The final decision to rebuild the Ara Pacis mediante its present location-beside the mausoleum, between the Strada Ripetta and the Lungotevere-was made by Benito Mussolini himself. This placed the monument alongside the new Largo Augusto Imperatore (Emperor Augustus Square), designed per 1936 by the fascist architect Vittorio Ballio Morpurgo (1890–1966), which enclosed the mausoleum on two sides with modern buildings featuring huge travertine arcades.6 Of course, the altar itself would not simply have been left forever in the open air. While an initial suggestion was preciso shelter it under per third arcade, the prevailing choice placed the altar inside per pavilion. The Tavola liturgica Pacis’ new location thereby crowned the regime’s project of creating verso mythological-historical place for ancient Roman memories inside the contemporary city and within the modern Roman colmare. 7

The new project’s execution was entrusted puro the internationally acclaimed American architect Richard Meier, who had just completed the Getty Center con Los Angeles

Reconstruction of the altar was entrusted preciso Giuseppe Moretti, director of the 1937 excavation, who was assisted by the architect Guglielmo Gatti, while the pavilion was realized by Morpurgo. Many difficulties arose. First, there was verso great rush sicuro finish the sistema before the 1938 celebration. Later on, Morpurgo, a Jew, faced problems following the enactment of discriminatory racial laws per Italy. As a result, his original conception was severely simplified and, for the most part, reduced preciso verso mere concrete shell; it was painted to immagine like travertine, not making full use of the range of fermo materials planned by the architect. The structure, however, was provided with large windows that allowed the monument onesto be viewed from outside. During World War II, Morpurgo’s pavilion was protected by an antishrapnel wall, which was later demolished, and its windows were replaced by a wall 4 m high.

Finally, con the 1970s, the windows of the original design were reinstalled

A new project to house the Tavola liturgica Pacis began durante 1996 and was completed in 2006. It belonged preciso verso series of high-profile architectural initiatives preciso improve the modern city’s image, promoted by Rome’s City Council and the Superintendency of Rome’s Cultural Heritage (Sovraintendenza ai Vitale Culturali del Evidente di Roma). At the same time, verso new building was sorely needed esatto protect the altar because of grave problems affecting the Morpurgo pavilion, including both structural and environmental deterioration. Meier is known for his purist and rationalist architectural designs expressed through linear constructions in white materials and an abundant use of large windows -per classic modernist vision compatible with the context of Rome’s Piazzale Augusto Imperatore.8

Meier designed a long building, which is preceded by per fountain, verso plaza, and a broad flight of steps approaching the beautifully articulated main entrance (fig. 1). He intended the staircase and the fountain to form verso reference esatto the old river port of Ripetta, demolished mediante 1901 esatto provide space for the Lungotevere. The museum complex itself is composed of three main parts: a transparent (predominately glass) central element flanked by two white solid geometric forms-a juxtaposition that creates per play of light and shadow and is typical of the architect’s work (fig. 2). The materials used are likewise characteristic of Meier: white-painted concrete, scagliola, glass, steel, and also travertine (which he had already employed at the Getty). The large central space, designed esatto house the altar, is preceded by a lower entrance vestibolo containing a bookshop and verso small exhibition space. The third part houses an elegant double-storied auditorium, with a roof garden for private events. The auditorium’s compact form deliberately resembles the registro of the Accademia delle Belle Membra nearby and links the museum complex onesto the https://datingranking.net/it/hitwe-review/ Largo Augusto Dominatore, as well as onesto the Via di Ripetta, on which it has a separate entrance. The only element retained from the Morpurgo pavilion is the travertine base inscribed sopra bronze letters with the Res gestae, the solemn will dictated by Augustus before his death. Per mosaic, designed by the Italian artist Mimmo Sostenitore, decorates the museum’s exterior wall that faces the Tiber.